EstoniaElina Nechayeva: La Forza
Call me Ishmael. A good review is a narrative, and a good narrative has 5 elements:
1. A great first sentence (why mess around? I just went with the best!)
2. A journey. Amongst other things, my first sentence was supposed to simply an allegorical search for the meaning of life, and subtly suggest certain flattering characteristics about myself, all of which have been ruined because I realised it is a cultural reference whose meaning may not be apparent to everyone, and explaining it has negated any beneficial effects. Anyway, we are going one better than a search for the meaning of life – we are on a quest to discover the meaning of Eurovision, one of the greatest mysteries in the universe! Yay!
3. Elegant, lucid, succinct prose.
Two other elements which will hopefully come to me soon, otherwise I’ll have to explain why I said “5 elements” and only listed three.
On to the business at hand. Elina from Estonia can sing! She sings like the Diva from 5th Element (see what I did? It’s called foreshadowing in case you are interested), but the real star of the act is the dress, inside of which Elina is propped. I don’t know why this wasn’t mentioned in the official notes, but her dress is so big that it covers 2.4 hectares, and is encrusted in 3 million individally thought-controlled, coloured LEDs. Yes, Elina was singing and controlling the lights on her dress at the same time. She and her dress are a flowing fiesta of colour and light. Darwin would have maintained it was sexual selection at work, and who am I to question the great man? Rumour has it that Elina will be part of Sydney’s Vivid festival this year.
Did I mention that she can sing? Her final note shattered the wine glass in my hand. My prediction? Next year, Eurovision will be held in Tallinn, and by next spring, everyone will be wearing those dresses.
It seems I’ve allowed myself to be carried away by all the excitement of the event, and unintentionally created a metaphor for THE DRESS, whose maker also got carried away, and we both ended up with something way too big to be fit-for-purpose. Sorry.
Review by Jim McLean
LithuaniaIeva Zasimauskaitė: When We’re Old
When I see pop singers “playing” the piano I am often sceptical about who actually pressed the keys, but there is absolutely no doubt that Ieva played the whole song. It’s just a special piano, and pressing one key produces all the chords I reckon. Well, around the 40-45 seconds mark you see she got some assistance, but it was mostly he work, surely. The short bio states that she took lessons until she was fifteen, so there you go. Her voice is nice to listen to, and the song itself is very original, it’s about a topic no other song I can remember ever touched — eternal love. More specifically though, it seems to describe how love is powerful and can last forever when you live in a snowy country. Maybe it wears off more slowly due to the low temperatures?
Review by Bruno Buzzato
RussiaJulia Samoylova: I Won’t Break
When I was watching this video I had trouble focusing on anything other than the fact that Julia’s right eye sits so much higher on her face than her left eye! But thankfully only about 70% of the video is entirely about on her face. Well, that’s not entirely true, sometimes you see landscapes IN her face, which is, ugh, interesting? And then in the end you see her face in the landscape — on the top of a mountain, more specifically. With a waterfall. And a rainbow. And the moon too. In any case, Julia is not just a pretty face. The song? Sorry I didn’t pay much attention, and honestly, I’m not watching that again, am I?
Review by Bruno Buzzato