Ola Portugal!

Dear Eurovisionaries!

Eurovision is back, and so are we! This year, we are travelling to Portugal after Salvador Sobral carried away the first Eurovision win ever for Portugal!  His languid Amar pelos dois was felt in the hearts of everyone,  extracting douze points from an audience weary of wind machines and waxed chests. Let’s hope this is not an enduring theme!

What do we know about Portugal? Other than stereotypes, not much at all – it is long and thin, frequently confused with Spain and serves up delicious sardines. Forty-three countries will compete in Lisbon,  transforming the capital into a festival village – oh my, how exciting!

Stick with us….we will get you through this with essential reviews and commentary!

Club Douze Points

Eurovision finales 2017

Welcome to the final of the 2017 Eurovision Song Contest, from Kiev, Ukraine! The show kicked off with an excellent laser/LED display, and all contestants running the gauntlet through the ecstatic crowd. Already this was taking unbearably long.

Finally, the evening’s hosts, three well-groomed chaps (Huey, Dewey and Louie) officiate the evening. The humour was painful and enduring.

Israel kicked the evening off, with, yes, another well-groomed chap, IMRI, singing off key in a black sleeveless t-shirt. He was ably assisted on stage by two dental nurses – 23rd place.

Kasia from Poland was next, her dress was in danger of an imminent wardrobe malfunction, which we were spared. She had one excellent leg, the other one was rubbish. A big song, but not big enough – 22nd place!

The happiest Belarussians ever were next, all dressed in white crochet (even the guitar)! Their folky tune clearly connected with the crowd, but not the voters – 17th place!

Austria’s Nathan (in white again) was evoking the Little Prince by dancing on a half moon. A solid 16th place.

Back to black outfits (a pant suit, no less) with Armenia and the best braided hair of the evening. The dance moves were reminiscent of Voguing (remember that old chestnut?), enough for 18th place!

The three sisters from the Netherlands were next with furry, glittery, black outfits, some had legs. They were marvellously coordinated, but the lack of wind-machines cost them a spot in the top 10…11th place!

Moldova was raising the fashion stakes with blackties and a (highly annoying) saxophone. The backing singers turned into brides half way through the song, much to the delight of the voters – 3rd place!


Hungary’s Papaj was joined on stage by a fiddler and a dancer. His outfit defies description, other than being very, very handsome! Best use of a milk can as a drum! An excellent 8th place!

Italy! Francesco did a great job and was ably assisted by the Wiggles on stage and a gorilla (also in black). The crowd loved this one, but not enough for a win….6th place.

Denmark’s Anja was in no need of gorillas or gimmicks – she filled the stage with her power ballad and a red flowing dress. Best tooth gap of the evening! 20th place!

Portugal’s Salvador calmed the audience with an oversized black suit and a thoughtful Fado. The audience, and Europe is stunned….first place – Portugal here we come!!!

Dihaj from Azerbaijan had the most extraordinary onstage props, including a horse on a ladder and writing on a blackboard. The significance of the trench coats remains unclear – 14th place.

Croatia’s Jacques brought a split personality and sang his own duet. Technically impressive it did confuse the audience – only 13th place. Creepiest violinist of the evening!Australia’s Isaiah picked up one of the trench coats abandoned by Azerbaijan. The excellent singing matched even more excellent eyebrows and Australia finds herself again in the top 10 with 9th place!

Greece’s Demy also had only one good leg, but a terrible song. For some reason, her barely dressed dancers had to perform in a footbath. A deserved 19th place.

Spain tragically mis-stepped with a boy-band wearing Hawaiian shirts. A deserved last place for silly reggae beats!

Norway’s Jowst brought his own gimp on stage (just in case, I suppose). Dressed as a dentist and quite inexplicably, Norway just makes it into the top 10.

The inane intermission by our three Ukrainian hosts provided the perfect toilet break.

Lucy from the UK appears in gold and belts out the UK’s best performance in years – 15th place. Best use of an on-stage kaleidoscope projecting 3 Lucies!!!

Wearing a studded black cardigan, Hovig was off key and laboured the audience for the full 3 minutes. Douze points from Greece and Armenia (but why?) propelled this into 21st spot.

Rumania yodelled – nuff said! 22nd place (and I am not even going to mention the canons on stage!).

Germany’s Levina was a bit tired and had to lie down on stage. Despite an excellent set of hair and a backless (grey) dress, this went no further than 25th.

Ukraine’s rock band wore excellent sleeveless smocks, but could not carry off the Lordi effect – 24th place.

Belgium was next, and without moving her lips, Blanche performs brilliantly, dressed as the corpses bride. A deserved 4th spot!!!

Stylish Sweden is next, Robin was wearing a shiny mauve suit. His dancing colleagues however, had to wear black turtlenecks. There were some odd hand signals throughout the song, still, 5th place, probably due to the brilliant use of treadmills on stage!

The second toothgap of the evening came courtesy of Bulgaria’s Kristian. The man-child, dressed as a young Viktor Krum, had nerves of steel  and ran away to second place!!!

Alma from France was the last performance for the evening. With two excellent legs, Alma finished the evening for the, by now, delirious audience. Good enough for 12th place. Best use of SimCity graphics.

The intermission brought back Russlana (Eurovision winner 2004) and some clown mooning the audience! The voting landscape was less predictable than previous years (other than Greece and Cyprus awarding each other douze points) – the yodelling Romanian’s received 12 points from Ireland of all places!

There we have it! A glorious win for Portugal! As for fashion trends…I am getting myself some more legs…good ones!

Until next year!

Club Douze Points

Bulgaria

BulgariaBeautiful Mess by Kristian Kostov

Bulgarian man-child Kristian is the third teenager in this year’s line-up. Together with Brendan (Ireland) and Isaiah (Australia), we have the making of a boy band. Kristian would obviously be the edgy one without convincing eyebrows, who would eventually fall out with the others, develop a drug habit and see out his career playing Las Vegas. And the song? Forgettable!

Review by Mariella Herberstein

 

Switzerland, Poland and Lithuania

SwitzerlandApollo by Timebelle

The neutral country. The Euro-dodger. The land of chocolate and cheese, of secret banks and “What Nazi stolen gold?”. One does not expect such a country to make a splash at Eurovision. And you’d be right, as they only won it one time since the invention of colour television, and in Europe’s defense they were preoccupied with the Berlin Wall falling. So, in these politically tumultuous times, will Switzerland step off the sidelines with a powerful commanding performance to finally claim victory?

Well, no.

I mean they try. The fact that none of the members of Timebelle were actually born in Switzerland probably explains their decidedly non-neutral earnestness in their quest for the crown. The lead singer has a pretty decent voice and an eye-catching dress. The song flirts with being catchy. Unlike most of my Eurovision reviews I didn’t compulsively fast forward to make it to the end. But it just can’t get past its Swiss heritage of being neutral and inoffensive. It’ll do well, but not well enough. The Swiss may have once horded the plunders of WWII, but in this year’s geopolitical conflict my money is on them not taking home the gold.

Review by Scott Fabricant

PolandFlashlight by Kasia Moś

I mean if we’re going to be making distasteful WWII references, might as well keep up the trend with Poland, who famously brought a bunch of horses to a tank fight. Same here.

It’s not a bad song by any means, it’s just very old-fashioned (by Eurovision standards). A one-woman power ballad that uses incoherent metaphors to make some vague point about love, or hate, whatever. She’s certainly got an impressive set of pipes, with a hoarse sultry timbre to her voice that’s better suited to blues or jazz. But Eurovision is a new theater of war now, one that considers Australia part of Europe. Recent conquerors of Europe include the amazing interactive graphics of Sweden 2015, the thoroughly modern Austrian drag queen of 2014, and of course Ukraine’s giant war metaphor of 2016, not to mention some spectacular runners-up like Russia’s unstoppable cookie-baking grannies.

And here stands Kasia Mos, holding the line with her old-fashioned pipes, no props, and distinct lack of techno gimmicks. I wish her well.

Review by Scott Fabricant

LithuaniaRain Of Revolution by Fusedmarc

Finally, there’s Lithuania, who wasn’t even a country during WWII so I guess I can finally let this cheap crutch of a trope go and evaluate their entry on its own merits. And I like it! It’s weird and funky, and the lead singer reminds me of a thoroughly modern Bjork minus the theatrical pseudo-insanity. Fusemarc manages to break new musical ground and be truly unique without resorting to cheap gimmicks. I’m predicting we are seeing a taste of Eurovision to come, a time when this old stalwart contest breeds true acoustic innovation.

Just kidding, I already know they never make it out of the semi-finals. A shame really, since they really are funky, and I really did like them. Usually the truly unique sounds never make it to the finals. Eurovision may love its flashy visual gimmicks, but the music remains stuck in the glory days of a pre-Brexit European glory. Maybe Poland has a fighting chance, horses and all.

Review by Scott Fabricant

Ireland, Iceland, Portugal, Romania

Ireland

Dying to Try by Brendan Murray

Rumour has it that, as a young child, Brendan Murray’s cheeks were pinched so vigorously by passing octogenarians that he required reconstructive surgery. They say he is paid entirely in crocheted doilies and lemon tea-cakes, and is banned from releasing a Christmas album amidst fears that it would induce a mass attack of the vapours across the British Isles.

With good looks and titanium-reinforced cheekbones Brendan Murray brings dollops of gorgeousness to this year’s Eurovision Song Contest. His melancholy tune about struggling to maintain relationships has one of the most impressive key changes of this year’s line up, and has left women across Europe wondering why their daughters can’t find themselves a nice young man like Brendan. His eyebrows alone are guaranteed to get him as far as the semi-finals.

Review by James O’Hanlon

 

IcelandPaper by Svala

Svala has been granted sabbatical leave from the Borg to represent Iceland this year. The song ‘Paper’, precisely crafted to suit the musical requirements of the assimilated masses, is unsurprisingly mediocre. Nevertheless you will vote for Iceland, resistance is futile. It’s robotic rhythms and synth melodies are perfect listening for the next time you are cruising through the grid on your light cycle. Keep an eye out for the key change goose-step late in the song – a well-timed and subtle build to… nothing at all. Clearly key-changes do not compute.

Review by James O’Hanlon

 

PortugalAmar Pelos Dois by Salvador Sobral

Salvador Sobral was orphaned on the streets of Lisbon as a child. Thankfully a flock of canaries took him in and raised him as one of their own. Years later he was discovered working in a mineshaft – cramped inside a small cage and entertaining the workers with his gentle melodies. Now a full grown man and successful performer, Salvador collaborates with his sister Luisa – who wrote this song and most definitely isn’t pissed about Salvador getting all the credit.

Surprisingly this song, ‘Amor Pelos Dios’ is one of the most coherent Eurovision efforts we have heard from Portugal since, well, ever! The orchestration is tasteful, the soft piano melody is whimsical, and the singing is, believe it or not, in key. Portugal, you have surprised us all and have done well! Maybe you should get Salvador and Luisa to look into your national debt problems, it’s not like they could do any harm.

Review by James O’Hanlon

 

Romania

Yodel It! By Ilinca feat. Alex Flora

It’s Eurovision! Of course there is yodelling! I’m proud to say that Romania have inspired my latest tattoo. The phrase ‘Yodel It!” has been carved into my chest and sits nicely in between my “#YOLO” and “Frankie Says Relax” tatts.

Equal parts East 17, Aqua, and von Trapp family, Romania pairs a seductive yodeller in a leprechaun suit with a tone-deaf rapper to create this year’s abomination. Seriously it’s terrible. Me thinks the novelty value won’t float this boat very far and Romania are likely to sink early on in the quarter finals.

Review by James O’Hanlon

Israel, Italy and San Marino

IsraelI Feel Alive by IMRI

IMRI (I really do not know if this is a name to be shouted or an abbreviation) is already a veteran at Eurovision – Kiev will be his 3rd appearance. Admittedly, the previous times, he was part of the backing singers. I can tell IMRI is determined to make this a success. This young man has oodles of energy and, according the video, oodles of well-groomed friends. Expect some excellent dancing on the night, but perhaps not so many points.

Review by Mariella Herberstein

 

ItalyOccidentali’s Karma By Francesco Gabbani

This catchy and smart number from Italy is the favourite to win, and rightly so. The song is a stylish homogenate of Italian one-hit wonders (I am getting some Adriano Celentano) and light-heartedly homogenises Eastern and Western philosophies.
Surely, any Eurovision entry that exclaims ‘Panta rhei’ deserves a spot in the top 10.

Shave off that ridiculous moustache and it’s ‘douze points’ from me!

Review by Mariella Herberstein

 

San Marino

Spirit of the Night by Valentina Monetta and Jimmie Wilson

San Marino is a more recent addition to Eurovision (competing since 2008) and her strength is clearly driving around in circles. So it comes as no surprise that San Marino has recruited help in the guise of Jimmie Wilson. Regretfully, the outcome is an uneasy fusion of R&B with trashy Euro-disco. Even the key change seems insincere, and at Eurovision, that is saying a lot. Back to the racing track for San Marino this year!

Review by Mariella Herberstein

Greece & Hungary

Greece

This is Love by Demi

 

I had high hopes for Greece this year, expecting an explosive crescendo after the gentle build up. But sadly, Demi just does not reach the screeching heights that Anja from Denmark easily scales. Still, Demi’s video promotes diversity, which surely is a good thing….although with a maximum of 6 people on stage in Kiev, the effect might be somewhat restraint.

Review by Mariella Herberstein

 

Hungary

Origo by Joci Pápai

Hungary has gone from strength to strength over the last few years. Freddy did a great job last year, and my all time favourite is Katie Wolf back in 2015. But Joci is giving us something special. A haunting ethno sound over electronic beats sung in Hungarian. I like it so much that I am willing to forgive the fiddles and the fact that Joci is a samurai.

Review by Mariella Herberstein

 

Cyprus, Denmark & Finland

CyprusGravity by Hovig

Will this be the year when Cyprus breaks the drought and finally wins Eurovision? I am afraid not. Is it the auto tune? The mildly threatening lyrics (Right beside you – I’ll never leave you)? The heavy-footed dancing? The lack of voting neighbours, or all of the above? Unless Hovig pulls off a gravity defying performance, I am afraid this one will crash into last place.

Review by Mariella Herberstein

DenmarkWhere I am by Anja

Ready the wind machines for Denmark! Lulling you into a false sense of security for the first minute or so, Anja hits her strides and belts out a classic Eurovision anthem that could only be improved by a key change. Never mind the nonsensical lyrics and non-existing dancing. I think this will go far, the finals for sure!

Review by Mariella Herberstein

FinlandBlackbird by Norma John

This is a real song, sung by real musicians, conveying sincere emotions, beautifully. What on earth is Norma John doing at Eurovision? No wonder they are looking so sad. This is the highest quality entry for decades, hands down. Sadly, this is no guarantee and if anything quality is a detriment to Eurovision success. I am so sorry, Norma John!

Reviewed by Mariella Herberstein

Albania, Austria and Belarus

AlbaniaWorld by Lindita

Thank you Albania! Thank you for sending Lindita to Eurovision. Gone are the wailing flutes and fiddly Çiftelijas! Instead, Lindita belts out a Bond-esque number with the obligatory key change. And boy, can she hold a note! The song is dull, but with the right stage show, Lindita might find herself in the top half at the end of the evening!

Review by Mariella Herberstein

 

AustriaRunning On Air by Nathan Trent

Back in 2014, Conchita was Rising Like a Phoenix, while young Nathan here is Running On Air! Both are sporting exceptionally groomed facial hair (Conchita’s is clearly better!). Still, Nathan seems like a nice lad, and he does a good job with this happy, toe tapping number! Definitely the finals for me!

Review by Mariella Herberstein

 

BelarusStory of My Life by Naviband

Life is super happy in Belarus! You get to wear embroidered linen shirts, run through forests and exclaim: hey, hey, heyaheyahey! And why are young Artem and Ksenia so happy? It is Belarus’s 800th birthday – what better way to celebrate than Eurovision? Maybe deliriously happy is not your thing, but I like it and predict the finals for Belarus.

Review by Mariella Herberstein

 

Eurovision Finals Review

Dear friends,

What an exciting Eurovision final, where Australia almost ran away with the coveted prize. But in the end, the Ukraine’s politically charged, yet boring number won, and we will travel to sunny Kiev next year!

The proceeding start off with the presentation of the contestants, accompanied by models wearing spandex underwear and paper outfits onto which country flags are projected.

Our delightful hosts are Petra Mede (wearing a dream in beige) and Måns Zelmerlöw (last year’s winner, wearing a grin). They claim that this contest is about uniting countries with music – not sure where this is coming from.

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Belgium’s disco number opens the competition, dressed all in white, against a 4-connect LED display – 10th place despite the surprisingly timid dance moves.

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The Czech Republic (in a white wedding dress – is white it, this year?) lowers the mood with a labouring tune. The most exciting thing that happens on stage is when Gabriella’s hair suddenly comes loose…is that it? Apparently! Second last at 25th.

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The Netherland’s Paul Kelly (Douwe Bob) offers a full band and 3-piece suits. Some apparently liked it – 11th place.

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Azerbaijan’s Samra wears a marvellous jumpsuit (perhaps left over from last year’s Eurovision?). Her backup dancer/singers are dressed as football players but apparently can’t sing or dance. The audience and judges were equally confused – 17th place.

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Hungary’ Freddy in a, yes, you guessed it, white, T-shirt. Even the backing whistlers are wearing T-shirts. Such sartorial sloppiness is swiftly relegated to 19th place.

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Francesca from Italy takes the stage in a deconstructed garden. She borrowed Freddy’s T-shirt and found some abandoned dungarees. Her song was sweet and full of hope for a more fashionable future – 16th place.

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Israel’s Hovi, whose hair appeared to have had an earlier run in with a rogue wind machine, is accompanied on stage by co-joined twins trapped in a hula-hoop. A respectable 14th!

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Bulgaria’s Poli and her posse from Blake 7 delivers an upbeat number that clearly struck a chord with Europe – 4th place.

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A big cheer welcomes Sweden to the stage with young Frans (that white T-shirt is still making its rounds). Frans is working the crowd with the tiniest dance steps ever, richly rewarded with place 5th.

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Finally, some stage fog for Germany’s Jamie-Lee, who was allowed to dress herself, with devastating outcomes – last place!

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The white T-shirt is back, this time on France’s Amir, who carries an energetic performance, mostly in French, to a deserved 6th place – best placing for France in decades!

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Poland’s circus director/vampire Michal commands a string quintet and eerily reminds me of Conchita. It was the key change that propelled this otherwise languid tune into place 8.

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Australia is up next: Dami is stuck on a black box, mimicking to the visual effects from the Minority Report. Australia’s love affair with Eurovision continues – an amazing 2nd place!

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Rightly placed behind bars, Cyprus requires several cubic tons of stage fog to obscure the ridiculous onstage antics. This goes no further than 21st place.

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Serbia’s Sanja defeats unwelcome advances on stage. The leather outfits could not distract from the off key singing – 18th place.

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Bless Donni from Lithuania for wearing a white leather jacket – there is just not enough of that…EVER! He flirts with the audience, does somersaults and sails into 9th place.

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Croatia’s Nina easily has the best outfit for the evening. An XL sized kimono, ripped off by some dark figures, revealing some sort of jellyfish tentacles. Despite the dress and the mother of all key changes, Croatia does not make it beyond 23rd place.

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Sergey is Russia’s equivalent to Ricky Martin, only straight, of course. Dressed as a dentist Satanist (where is that white T-shirt from earlier?), he performs against the best onstage LED display for the evening. Many, many points propel him into 3rd place.

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All I remember from Spain is a glittery basketball t-shirt and a swan dive on stage – 22nd place.

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Latvia’s Justs was so much less than Donni from Lithuania and imminently forgettable –15th place.

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The Ukraine (in electric blue) delivers a haunting (or just off key?) song, retelling the horrors of  war in the Crimean. Clearly the political message was a winner with Europe and after a tight point finish, the Ukraine will host Eurovision 2017!

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Malta’s Ira quickly lowers the tone with a dress crevasse and one very excellent leg (the other one stays hidden). Windmachines are working overtime, as is the sole dancer on stage – 12th place.

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Georgia’s attempt at giving Eurovision the finger worked – 20th pace!

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Zoe from Austria is dressed as a Disney princess and sings about laughing and singing……not even unicorns could be happier. A solid 13th place.

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Joe and Jake from the UK appear in t-shirts, leather jackets and two drummers. Still not enough: 24th place.

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Ivetta from Armenia is bathed in stage fog and dressed as a gymnast ready to compete in the pommel horse. I have said it before, great blow wave: 7th place!

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For the intermission, Petra and Mans deliver a humorous medley of all Eurovision clichés we have seen over the years (including guest appearances by Lordi, Alexander Rybak and that ice skater used by Russia’s Dimi back in 2008).

And just in case the audience did not get how grotesque Eurovision is, Justin Timberlake’s performance drives home the point.

Highlights from the voting shenanigans: the Iceland presenter appeared with a dog. Other than that we had the usual geopolitical block voting and excruciating small talk from the local presenters: Good evening Stockholm, this is Valetta calling…..

I am off to buy a white leather jacket…..I already have a white t-shirt!

Many thanks for seeing through Eurovision 2016 with us! See you next year in Kiev!

Club Douze Points