Sarah McTernan brings us a laid back catchy pop-tune that will at least get some decent radio play, if not rack up a decent amount of points this year. It’s a solid toe tapper but perhaps not enough to blow the socks of the global audience. If Ireland want to keep their record of most Eurovision wins they are going to have to start bringing their A game before Sweden finally re-unite ABBA and go after the title once and for all. In which case Ireland’s only defence may be in engineering a bionically enhanced Johnny Logan to return to the stage and claim his third finals victory. Who knows what 2020 could bring…
The 90s we’re great weren’t they? Scrunchies we’re in, Santana was making a comeback, Twitter hadn’t been invented yet, all was well. So is it time to relive the glory days and bring 90s music back into fashion? Maybe not. This year Finland revisits the late 90s and brings us a track littered with synth beats and boy band harmonising reminiscent of 90s pop music. Sadly, like most 90s pop music, it is instantly forgettable and unlikely to fare well at Eurovision this year.
What isn’t forgettable however is the abomination of a soul-patch Darude appears to be sporting. The image of this flavour savour landing strip has been semi-permanently burned into my retinas. I know, facial hair shaming isn’t cool, but let’s just hope that this trend doesn’t catch on like fork beards, pencil moustaches, chin straps, and all those other unsightly attempts at fancy facial hair styling. As the song title begs, ‘Look Away’.
Will this be the year when Cyprus breaks the drought and finally wins Eurovision? I am afraid not. Is it the auto tune? The mildly threatening lyrics (Right beside you – I’ll never leave you)? The heavy-footed dancing? The lack of voting neighbours, or all of the above? Unless Hovig pulls off a gravity defying performance, I am afraid this one will crash into last place.
Ready the wind machines for Denmark! Lulling you into a false sense of security for the first minute or so, Anja hits her strides and belts out a classic Eurovision anthem that could only be improved by a key change. Never mind the nonsensical lyrics and non-existing dancing. I think this will go far, the finals for sure!
This is a real song, sung by real musicians, conveying sincere emotions, beautifully. What on earth is Norma John doing at Eurovision? No wonder they are looking so sad. This is the highest quality entry for decades, hands down. Sadly, this is no guarantee and if anything quality is a detriment to Eurovision success. I am so sorry, Norma John!
Iveta is overcome by a LoveWave, the source of which is a dashingly handsome and hairy Ewin Mcgregor. Emotions have taken hold, and all Iveta can do is screech: uhhhhuhhhuuhhhhuuuhhh. The wailing is artfully amplified by the Armenian Duduk – an ancient, yet annoying reed instrument. On the plus side, Iveta is sporting a blow wave, the like of which I have not seen since Farrah Fawcett. Also, Iveta has very well shaped eyebrows!
Review by Mariella Herberstein
Bosnia & Herzegovina
Ljubav Je by Dalal & Deen feat. Ana Rucner and Jala
It’s been twelve long years since Deen graced the Eurovision stage with his oh-so-subtle pelvic thrusting, rhinestone-clad, mouth-gaping ‘In the Disco‘, replete with its concerning message about body image.
It may be best to think of ‘Ljubav Je’ as an opportunistic longitudinal study on the effects of aging on the human body. Dependent variables of interest could include hair quantity, hair location, voice pitch and surface area to volume ratio. The next measurement is due in 2028.
Not even France is entirely en français this year, so take this opportunity to drink for a song in a native language.
Review by Ingrid Errington
Help you fly by IVAN
Belarus has sent the love child of Ron Weasley and Kylo-Ren to Eurovision. This could be interesting, but sadly is not. IVAN extrudes a whiny metal ballad that could have been ripped off the back catalog of Scorpion (remember ‘wind of change’?). While the screen display behind IVAN offers moments of distraction, the viewer is left wondering why he wants to help wolves fly?
Rumours have it that IVAN is planning to perform naked with real wolves – nothing less if he wants a chance to get into the finals.
As a final year PhD student, this song was a surprise because it’s remarkably accurate in its description of my past couple of weeks. Hearing whispers in the hallways even though nobody else is left working so late in my lab in the basement, stumbling outside to find it now cold and dark after a 13 hour day without windows. Then running to make my train because it’s the off-peak timetable and the next service isn’t for 20 minutes…
Perhaps it’s all those solvents; perhaps the ghosts of postgrads past.
Greta represented Iceland a few years ago paired with Jonsi, who seemed quite good but has now apparently moved onto other things. Rather like that super keen, sparkly-eyed undergrad volunteer that was helping out around the lab back in 2014, now I think of it…
Review by Ingrid Errington
Loin d’ici by ZOË
This dreamy eyed young forest fairy delivers a delicate, happy ditty about being ‘far from here’. The song and Zoe surely mean no harm and I have certainly sat through much worse from Austria (remember the bearded hipsters with the piano on fire from last year?). Austria will probably slip into the finales without anyone even noticing. I do hope the stage show will improve on the CGI toadstools in the background.
Review by Mariella Herberstein
Sing It Away by Sandhja
This poppy number from Finland is pure Eurovision gold and has my votes!!! Sandhja promises to sing away all your worries and troubles, and I for one, believe her. With her girl posse, she hangs out on playgrounds, wears sparkly sneakers and tells you that ‘there is no need to be carrying a frown’. Who cares that the music video featuring a masked rider on a horse and someone boiling water for a cup of tea, makes no sense at all….just ‘sing it away’!