Reminiscent of a dentist’s drill, Efendi’s Mata Hari is testing my patience and love for Eurovision. And when the singing finaly stops the heavy drums and wailing pipes start. Apparently, Efendi competed five times to represent Azerbaijan and missed out ….if only she’d made it a sixth time unsuccessfully.
What is life? Equinox asks the important questions in this serious yet sensual song.
As a Eurovision rookie, I feel prematurely emotionally attached to this group, who will perform together for the first time during the semi-finals.
I hope they bring the rainbow prism machine on stage, because it adds a whole new mysterious dimension to the song; word on the street is Bulgaria have been a favourite before the group were even formed- doesn’t get much more mysterious than that!
My only concern for this group is that they follow each other, ‘deep into the unknown’ and forget to open their eyes and fall off the stage; regardless, I predict they’ll love beyond bones straight into the finals.
I’m going to be honest, I wanted to review Rasmussen because of his beard.
Fortunately, his beard didn’t let me down. The choreography on the other hand, was a bit of a disappointment. Rasmussen is pretty decent at singing and stomping and looking like a Viking though, and thank goodness for the wind machine. I also really like how the back-up dancers don’t try and show him up.
Higher Ground is apparently based on a Viking who refused to fight. I’m confused as to how this Viking even got the job of leading a crew of warriors into battle when he was a lover, not a fighter?
There is a great pitch change towards to the end, which does kind of make you feel like loving instead of fighting.
Bulgarian man-child Kristian is the third teenager in this year’s line-up. Together with Brendan (Ireland) and Isaiah (Australia), we have the making of a boy band. Kristian would obviously be the edgy one without convincing eyebrows, who would eventually fall out with the others, develop a drug habit and see out his career playing Las Vegas. And the song? Forgettable!
Former Westlifer Nicky Byrne – better known as Ireland’s second sexiest man 2014 – is carrying the hopes of the Republic this year with the pop-ballad ‘Sunshine’. It’s pretty standard fare, but there’s the hint of a foot-tapping groove, and I enjoy the irony of an Irishman singing about sunlight (note the lack of location-shots in the accompanying video). It’s an outside chance.
Review by Tom White
If Love Were a Crime by Poli Genova
If love were a crime, then Poli Genova would be in jail for beating that lyrical conceit to death. She’d be sharing a cell with her weird necktie thing, which is surely committing a fashion crime. Otherwise, this entry is totally forgettable generic Eurotrash; here’s hoping the song doesn’t make bail or the finals.
Review by Scott Fabricant
I’ve Been Waiting for This Night by Donny Montell
I specifically want to review the music video version, because honestly that party looks pretty dope. As in, all the dope they probably lit up before filming. I think I just saw a girl blow a handful of popcorn at the camera while over in the corner people are stroking each other’s furry coats. Neither is a euphemism. Feelingly clearly overwhelmed by all the sensory stimuli in their current drug-addled state, the singer and his lyrically mandated date roam the streets, wave sparklers in each other’s faces, blow smoke in each other’s mouths, and eat kebabs as come-down munchies. So, another night in King’s Cross Lithuania I guess.
Oh you wanted me to review the song? It’s decent I guess. Typical bubblegum boy-pop. It’s pretty catchy, like crabs in a King’s Cross nightclub. He’ll do alright for himself, on the scoreboard and the afterparty.